The 9 square puzzle using
a portion of the fine painting by West Indian/American artist John James Audubon. When the puzzle is
complete, you will jump to a 16 square puzzle with the same image.
You can go there directly by clicking the red square.
Information about the artist and the painting is at the
page bottom here.
The 16
square puzzle using the fine painting by John James Audubon. When the puzzle is complete,
you will jump to a 25
square puzzle with the same image.
You can go there directly by clicking the red square.
The 25 square
puzzle using the fine painting by John James Audubon. When the puzzle is complete,
you will jump to a 36 square puzzle
with the same image.
You can go there directly by clicking the red square.
The 36 square
puzzle using the fine painting by John James Audubon. When the puzzle is complete,
you will jump to a 49 square puzzle with the same image.
You can go there directly by clicking the red square.
The 49 square
puzzle
using using the fine painting by John James Audubon. When the
puzzle is complete, you will jump to a 64 square puzzle with the same image.
You can go there directly by clicking the red square.
The 64 square puzzle using using the fine painting by John James Audubon. Information about the artist and
the subject can be found
below. The applet permits up to a ten square puzzle. If there
is any interest in my listing a puzzle of greater difficulty,
drop me a
line and I'll add it in.
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The image
is of a painting by artist and naturalist John James Audubon (1785-1851) of the now extinct Carolina Parakeet. A magnificent
looking bird as I am sure you will agree. But alas no more. And what a magnificent painting! Audubon published his epic work
'Birds of
America' over a number of years (1827-1838), and this
was one of the many paintings included in that work - published on giant 30" by 27" pages - hence
'Elephant Folio' as it is called. Another
of his splendid works is featured on this site also - his fine painting of the Passenger Pigeon. You can see that work and an image of
the artist himself on this page.
There is so much material available on John James Audubon that I hesitate to include much data here. But you might
be interested to know that he was born in Santo Domingo, now Haiti, in 1785, the illegitimate son of Jean Audubon, a French sea captain
&
plantation owner and Jeanne Rabine, a French chambermaid & one of Jean Audubon's mistresses. Jeanne died soon thereafter. During his
early years the artist lived in Nantes,
France, with his stepmother. In 1803, he
came to America in order to escape conscription into Napoleon's army. He lived in Pennsylvania initially, where he managed his father's
farm & developed his skills as an artist. In 1808 he married Lucy Blakewell and they had two sons, Victor Gifford
& John Woodhouse.
Soon, however, he moved to Kentucky where he was quite unsuccessful as a business man
& even was a taxidermist for a while. At the age
of 34, he
determined to paint every bird in the United States & its territories with the objective of having prints made from his paintings, to
be sold on a subscription basis. He tried, in 1824, to find an engraver & publisher for his work in Philadelphia. But he upset members of
the Academy of Sciences with some disparaging comments on the work of Alexander Wilson whose nine-volume set titled,
'American Ornithology', had been published between 1808 & 1814. That caused those Academy members to ensure that Audubon did not receive
the support that he sought. In 1826 he sailed to Great Britain, where his works were well received. He gained employment in Edinburgh
but turned to Robert
Havell & Son, of London, to produce his major work, 'The Birds of America'.
That masterpiece was a four-volume elephant folio with four hundred
& thirty-five coloured plates of 1,065 individual
birds in life-size depictions measuring more than two by three feet, accompanied by a synopsis
& index. The text to the work was
published separately as a five-volume work entitled 'Ornithological Biography'. Written in collaboration with Scottish ornithologist,
William MacGillivray, it described the life histories of each of the species with anecdotes of Audubon's adventures. This work was
completed in 1839 as a companion to the elephant folio edition. Following the completion of the double elephant folio, a seven-volume
octavo edition of 'The Birds of America' was published & completed by 1844. The size, ten and a half by six and a half inches, was more
popular & more affordable than the larger edition. Audubon's grouping of colourful, active, related
birds in correct natural settings, was a major departure from the stiff
renderings of unrelated birds so characteristic of the period. And he was the first to work from fresh-killed specimens collected
in the field. More biographical data & other data is available
here and on many other sites also. I read that fewer than 200 copies
of 'The Birds of America' were printed, & about half
of those survive intact today. After three years abroad & with his name and reputation established, Audubon returned to the
United States in 1829. His last major work, a series of paintings of mammals native to the North American
frontier, was the fruit of a Western journey along the Missouri & Yellowstone rivers.
'Viviparous Quadrupeds of North America' was
published between 1845 & 1848. He eventually settled on Minnie's Land, a small estate on the Hudson River in New York
& died there on
Jan. 27, 1851 at the age of sixty-six.
You may see the artists work in a great many places. A fine start point in a search would be
Artcyclopedia. You may like to look at the image portion I have used
on this page without the
distraction of the puzzle. So here it is.
But ... I cannot tell you today where I saw the image that I used. In 2013, a fine
image of the painting can be seen here.
And the Carolina Parakeet (Conuropsis carolinensis)? It
was the only parrot species native to the eastern United States and ranged from the Ohio Valley to the Gulf of Mexico. A member of the
conure family, the bird was about 12 inches long, had a bright green body & a
yellow head splashed with brilliant orange. They typically travelled in groups of up to 60 birds
& as their native food vanished they flocked to
farmers' orchards and fields, & rapidly destroyed the crops. A farmer would shoot one bird
& the others would apparently fly
around over their fallen companion instead of leaving for safety. Their colourful feathers were in demand for ladies' hats! Gradually,
over time, the birds disappeared. When Audubon painted these particular Carolina Parakeets, in Louisiana in about 1825, there were few left.
The last pair lived
in the Cincinnati Zoo for over 30 years & the very last Carolina Parakeet of all, a male named
'Incas' died there on Feb. 21,
1918.
Return to top of page.
The java applet that runs the puzzle is courtesy of Axel Fontaine, who lived just south of the city of Brussels in Belgium. Axel invited free use of his fine applet which you can, I hope,
download here. Axel, we thank you!
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